I’m not a Jew. None of my family, or anyone I know, has ever been the victim of genocide, but the Holocaust Memorial Day has become of great significance to me over the years.
From the Holocaust Memorial Day Trust (HMDT) website, the Holocaust Memorial Day is ‘The international day on 27th January to remember the six million Jews murdered during the Holocaust, alongside the millions of other people killed under Nazi persecution of other groups and during more recent genocides in Cambodia, Rwanda, Bosnia and Darfur.’
27th January was chosen because it is the anniversary of the liberation of Auschwitz-Birkenau, the largest Nazi death camp.
The Holocaust Memorial Day was created on that day in January 2000, when representatives from 46 governments around the world met in Sweden to discuss Holocaust education, remembrance and research.
At the end of this meeting, all attendees signed The Stockholm Declaration, a document committing their countries to preserving the memory of those who have been murdered in the Holocaust. It was updated in 2020.
So what does it mean for me? As I said, I’m not a Jew, but from an early age, about ten or eleven, when I read Diary of a young Girl by Anne Frank, the Holocaust, and its victims, have never been far away from my thoughts.
An avid reader for most of my life, reading a book a day as a child and as a teenager, I found myself regularly picking up a book about the Holocaust; both novels and non-fiction books and, throughout my life I have been drawn to films like Schindler’s list, and Shoah, Claude Lanzmann’s incredible 12 hour documentary of interviews with survivors, witnesses and perpetrators during visits to German Holocaust sites in Poland.
I thought I had a reasonable understanding of the Holocaust, but when I decided to write a novel about the Holocaust, set in Kiel in Northern Germany, I immersed myself in research and, the deeper I delved into the archives, the more I realised how little I knew. Even now, six years of research on, with a million word trilogy under my belt, I feel as if I have only just scratched the surface.
Since I started writing the Sturmtaucher Trilogy, a day, sometimes even an hour, doesn’t pass without a thought about the Holocaust seeping into my mind and, as the number of survivors still with us dwindles every coming year, we must come to a stark realisation that the only witnesses to the horrors of the Nazi years will be on the written page, or in film archives.
It is imperative that we remember every victim: Jew, Roma, Sinti, Communist, Jehovah’s Witness or homosexual. And that we do not allow Holocaust deniers to go unchallenged.
I’m not a person of faith, but the characters in my trilogy were deeply religious. I do not own a menorah, but I will light a candle on Holocaust Memorial day and stand quietly, reflecting on those who perished, those who survived, those who perpetrated, and those who stood by and let it happen.
Myvisit to Kiel – The suburbs and surrounding areas
After walking around Kiel for a day, and treating myself to a ‘Hearty Tavern Pan’, as Google translated it, a tasty meal of meat loaf, two types of Würstchen in a beer sauce, and fried potatoes, washed down with a couple of beers, I slept well, rising early to catch one of the first ferries that set sail from Bahnhofsbrücke, the pier near the station.
The Laboe Ferry called in at various points on both sides of Kiel Hafen on the way to its final destination, almost at the mouth of Kieler Förde where it opens out into the Ostsee, or Baltic Sea.
As we pulled away from the dock, the sun broke through the clouds and lit up the church towers on one side, and the shipyard cranes on the other. The city centre, around the Innerhafen, is low and flat and only the waterfront buildings were visible but, as we passed the Fischhalle on our port side, and the Arsenal Mole on the starboard, the land behind the west shore began to rise a little; the parks and suburban homes of Dusternbrooker were a backdrop to the former Kriegsmarine HQ and Imperial Yacht club on the foreshore.
On the starboard side, the naval shipyard gave way to the entrance to the River Schwentine, the inlet lined with smaller boatyards on one side, and apartment blocks and parkland on the other, with a marina at its head, near to the Schwentine bridge.
North of the Schwentine, cruise ships and ferries lined the wharfs, instead of the naval ships that victualled there during WW2. The oiling jetties and the moles of 1939 would be a significant part of the trilogy.
Then, as Kieler Förde opened out, and the ferry hugged the east shore, Kiel’s heavy industry gave way to the trees and small sandy beaches of Hasselfelde and Mönkeberg.
Rounding the point at Heikendorf, where Erich Kästner had watched Der Sturmtaucher sail towards the Marine Barrier in Flight of the Shearwater, I could see Friedrichsort lighthouse ahead, at the end of the spit of land jutting out into the Förde, narrowing it to less than a kilometre again, protecting Kiel Hafen from the worst of the Baltic storms, making it one of the largest and safest harbours in the world.
Passing the lighthouse, which Erich and his friends had sailed to blindly in The Gathering Storm, emerging from the fog just as the lighthouse came into view, I could see Laboe ahead, with it’s yacht marina, small harbour and strand, or beach, stretching out as the land curved round to become the Baltic shore. In the 1930s, the harbour brimmed with fishing boats and the ferry docked on the inner pier.
In the distance, the Laboe U-boat memorial, dedicated to submariners killed in the First World War, rose 85 metres into the air, the highest point for miles around. At its base, a restored WW2 submarine, U-995, is open to the public. I’d like to have added it to my itinerary, but I knew that time was limited and there were more pressing places to visit.
This was as far north as the ferry took us, and I stayed on for the return journey. As we left Laboe, across to the west, at Schilksee, I could just make out the Olympic Marina. The games came to kiel in 1936 and again in 1972. The medals for the larger boats were fought out on the course between Freidrichsort and the mouth of the Förde. The races for the smaller classes took place in the more sheltered waters closer to Kiel.
The Ferry called in at Friedrichsort then, heading back to Kiel, it took us closer to the entrance to the Kiel Canal (The Kaiser-Wilhelm Canal prior to 1948), one of the busiest man made waterways in the world. It features in the book, most notably when the General’s yacht passes through it on the way to the North Sea, taking his youngest daughter Antje sailing there for the first time.
Approaching Die Hörn again, and the Keil waterfront, with ships and boats of all varieties, commercial, leisure and naval, I began to appreciate just how much Kiel was first and foremost a port, and how important sailing and seafaring was to the city’s lifesblood, and how well it suited my story.
But there was more I wanted to see.
I’d hired a car when I landed in Hamburg, visiting Denmark for a couple of days before arriving in Kiel. I retrieved the car from the car park I’d abandoned it in and followed the road around end of Kiel Hafen to the Gaarden district of Kiel, on the east side of the harbour.
Adjacent to the shipyards, the districts of Gaarden, Wellindorf and Dietrichdorf had been severely damaged in the allies attempts to shut down production of ships and submarines from the Keil yards, and to prevent repair of any damaged vessels. I wasn’t expecting to find much of the ‘old Kiel’, but the odd building, such as this one on the corner of Preetzer Chaussee and Ostring, had survived.
I stopped at the side of the road and tried to imagine the thousands upon thousands of platers, drillers, riveters, boilermakers and fitters streaming throught the high gates of the shipyards building the battleships, destroyers and U-boats for the rapid expansion of the Third Reich’s navy, some of slave-labour from the work camps located close by, and of the death and devastation that decimated the shipyards and the surrounding districts, and the men women and children lost to the brutality of war.
Deep in thought, I followed the map, turning right off the main road, almost forgetting to drive on the right. A few blocks on, rounding the corner, I was in Stoschstraße, where Samuel and Renate Nussbaum, Yosef’s parents, lived.
I had a scene in my mind, of a woman walking these streets with her children, looking over her shoulder in fear as the black cars and the brown uniforms of the SA scoured the streets for Jews.
A mixture of buildings had survived, facades had been saved and new apartment blocks built with a similar footprint, and it made the street remarkably familiar. A childhood memory of walking down a similar street to catch a glimpse of the QE2 being launched burst into my mind, and I realised that Stoschstraße could be any street in Govan, or Partick in Glasgow, close to where the Clyde shipyards once dominated the city, and I began to feel more of a sense of Kiel as a shipbuilding town.
By the time I’d reached the River Schwentine, crossing from Wellingdorf over to Deitrichsdorf, the sun was splitting the skies and I stopped at the Schwentinetalfahrt, where you could hire small punts to explore the Schwentine river, or take a trip in one of the small tourist boats.
I didn’t stop long – I wanted to see where the wartime naval victualling yard had been – it would become a key location in the trilogy, but none of it remained – instead of the oiling jetties and loading moles, there was a ferry berth and a cruise ship terminal, but Heikendorfer Weg still passed by where the dockyard entrance would have been.
I took the ring road back, for quickness, exiting it at Hamburger Chaussee, the main route to Hamburg before Autobahns were built in the 1930s. I’d found the ideal location for the Kästner home on Google Earth, on the shores of a small lake, Drachensee, on the outskirts of Kiel. A couple of larger lakeside houses sat at the side of Hamburger Chaussee, their wooded gardens running down to the water’s edge, with boathouses, and I could just imagine Admiral Kästner and his family, then his son, General Erich Kästner, living there, sailing small dinghies on the lake in summer; the Nussbaums, their domestic servants, living in a cottage in the grounds. I parked the car and walked along, catching only a glimpse of the lake through the trees, but it was perfect. The house I had in mind for the Kästner’s neighbours, Eberhard and Beate Böhm, and their daughter, Lise, was as it had been in 1933, at the start of the Trilogy.
Leaving Drachensee, I drove on out to Schulensee, the source of domestic water for the residents of Kiel, and turned right, heading for Hassee and Russee, on the main Rendsburg road. I parked in the supermarket car park and walked down by the sports ground to the side of another lake, Russee, slightly larger than Drachensee and on whose shores sat the Nazi ‘educational’ work camp, Arbeitserziehungslager Nordmark.
A concentration camp in all but name, and run by the Gestapo, there was little left, save for a small memorial erected in a clearing, for the German and foreign slave workers who had been sent there to punish them for slacking, or other misdemeanours, and to re-educate them to be ‘model workers’. They died in their thousands in AEL Nordmark, though few people know the history of these camps, which existed in every corner of Nazi Germany.
Although it was a warm day, I shivered as I returned to my car.
I had one last place I wanted to see, a drive northwards to Holtenau, and the locks at the entrance of the Kiel canal. The locks, and the canal, were massive, and I imagined the Kästner family on their sailing trip to the North Sea, and the islands of Wangerooge, Heligoland and Föhr.
I drove back through Wik and the northern suburbs of Kiel, returning to my room in Lange Reihe, to collect my bags, heading for Hamburg and my flight home. I took one last look at Kieler Hafen as I drove along Kaistraße, and made for the Autobahn.
More detailed maps can be found on the website and you can download my route on Google Maps. I’ll be posting about the other part of my trip, to Esbjerg in Denmark. I travelled there before I went to Kiel, but it does contain some spoilers, so I’ve left it until last, and the parts of the trilogy that take place there are much further on in the story.
When I started researching the Sturmtaucher Trilogy back in late 2016, I was dismayed to find that, unlike most countries in Europe, Germany did not allow Google to roll out Streetview. At a stroke, my ability to walk the streets of Kiel and other parts of Germany from the comfort of my writing chair had gone, and while maps and old photographs were abundant and helpful, with a bit of digging, it was harder to get a real sense of the locations I was looking for as I plotted my story.
In 2017, I visited Northern Germany to try and get a handle on the city that would become the centre of my life for the next five years, to get my head around its topography, and that of the countryside around it.
I also wanted to speak to the people who lived there, and walk the streets to see if any of the buildings that I’d located using 1930-40s maps and photographs were still there.
I knew that large swathes of Kiel had been decimated during the latter part of WW2, and that the many of the buildings I wanted to describe had gone forever; the centre of Kiel is largely a new city, arising from the ashes of the old one, and when I arrived, I found it more difficult than I imagined to place myself in the 1930s streets when modern roads and concrete buildings surrounded me.
Then I’d turn a corner and fragments of the old Kiel I’d seen in the photographs would emerge; the occasional row of apartment blocks that had survived; a church, a junction, an avenue of trees, and most of all, the parks and open spaces that had always been there for the citizens of Kiel.
I’d obtained a scan of a British Army map of Kiel from the 1940s in the British Library, with many of the major buildings, factories and utilities identified. I plotted a route on it of all the places I wanted to visit, and wondered how that would translate to modern-day Kiel. With surprisingly few minor detours, I could walk the same route!
I left my rented room in Lang Reihe, where, in the trilogy, Lise and Rudolf Mey would have their first flat, and strolled the short distance to Kleiner Kuhberg, the location of the Judenhaus that housed Kiel’s remaining Jews before they were deported east, to the Ghettos and camps of Poland and Latvia. Despite the shopping centre opposite, a few of the buildings on the other side of the street had just about survived, unlike the Jews who had lived there, and I could feel the past seeping into my bones.
FromKleiner Kuhberg, at the corner of Exerciserplatz, I took a right and headed for the Rathaus, the City Hall. A shell in August 1945, it has since been restored to its former glory. I took a table on the terrace outside the Ratskeller and sat overlooking the town square, renamed Adolf-Hitler-Platz during the National Socialist era.
As I sipped my coffee, it struck me that it looked much the same as in the photograph I’d found of the National Socialist rally in March of that year, where, in The Gathering Storm, Erich Kästner would listen as ‘Stirring words of hate rained down on the crowd from the Rathaus’s balcony to a frenzied clamour of acclaim’.
I strolled around the pleasant waters of Kleiner Kiel, as the people of the city had done for centuries, crossing the bridge, now more of a causeway, that separated its two small lakes.
On its northern shore, in Lorentzendamm, I stopped in front of the City Savings Bank.
The Städtische Sparkasse had just about survived the bombing of Kiel, though it had also been gutted. I had a scene or two in mind for the building, and the financial institution it represented.
A brisk walk away from the city centre, and around another of Kiel’s small lakes, Schreventeich, I could almost imagine the Kästner and the Nussbaum families taking their Sunday stroll through the heavily wooded park around its tranquil waters, before the biting restrictions of Nazi edicts made it too fearsome for Yosef, Miriam, Ruth and Manny to venture out.
The Synagogue, which had once looked on to the lake, had gone, of course, burned out during Kristallnacht in 1938 and demolished the following year.
The spot it had occupied now housed an apartment block, but there was a remnant of original wall in the parking lot with a plaque stating that it had once been part of the synagogue, and a memorial to the forgotten building, and Kiel’s Jews, had been erected on the pavement at the corner of Goethestraße and Humboldstraße. I stood in silence for a few minutes, and closed my eyes.
I already had a cast of characters in my head and, leaving the Synagogue and walking along JungmannStraße, I looked up as I passed what would become the Weichmann’s flat. They were close friends of the Nussbaums, and their home would play a big part further on in the story.
Content that it would fit the bill, I walked on. As I’d wandered around Kiel, I’d kept glancing down at the pavement, looking for stolpersteines, the small brass memorial plaques cemented into pavements all over Europe, each commemorating the last known address of a Holocaust victim; I’d roughly marked them on the crude map I’d made, and I stood for a moment as I found each one, recalling the brief biography that I’d read about the victim who had once lived there, written and researched by Kiel’s present-day schoolchildren and posted on the city’s municipal website. I photographed Getrud Wonker’s Stolpersteine, as I turned into Holtenauerstraße.
The deportation of Kiel’s Jews was overseen by the Gestapo, whose former headquarters were a fifteen-minute walk away. As I walked down Dupplestraße, in the leafy suburb of Dusternbrook, it was hard to believe I was drawing close to the epicentre of Nazi horror in Kiel.
The building itself looked innocuous, now a district police station and surprisingly modern for its age. The only indication that this had once been one of the most terrifying addresses in Schleswig-Holstein is a memorial to its victims on the grassy slope at the front of the building. A sculpture by artist Melanie Pilz, of a rubber stamp suspended above a list of victims, represents the misappropriation of authority for the unlawful killing of millions of innocent people by the Nazi regime.
I stood for a while in silence, still unable to equate the horrors the memorial represented with the peace and quiet of suburban Kiel.
Disturbed, I walked briskly northwards in the longest leg of my tour, towards another remnant of Kiel’s wartime past, this one representing the devastation suffered by the residents of Kiel during the bombing campaign waged against Germany, most heavily in 1944 and 1945.
The Flandernbunker is one of a number of massive concrete air shelters which have survived, largely due in the first instance to the difficulty in removing them, but latterly because they are a large part of Kiel’s history. This bunker has been converted into a museum, Mahnmal Kilian, commemorating both the bunker itself, and the U-boat shelters that were removed and filled in as part of the redevelopment strategy of the industrial east shore of Kiel Hafen. Minimal glazing has been installed to keep out the elements but as you walk through this impressive art space, studying the artefacts, photographs, films and art installations, a coldness creeps across your skin as you imagine the massive walls shaking under the intense bombardment that the RAF and the USAF released on Kiel as the war entered its bloodiest phase.
I’d also arranged to meet one of the curators of the Museum, Steffi Blix, while I was there, and it was great to get the Kiel historian’s insight into the war in Kiel from a German perspective.
As I stepped out of the bunker into the daylight again, I shivered as the bright sunshine slowly warmed me. It was only a stones throw to the northern end of the Keilline, the paved waterfront that runs from the Wik to the centre of Kiel. I’d seen the naval dockyard on the wartime map of Kiel – Tirpitzhafen stirred recognition; who hasn’t heard of the Tirpitz? Both were named after Grand Admiral Alfred von Tirpitz, the architect of the Imperial German Navy.
Modern German warships, part of NATO, now berthed where Hitler’s famous battleships, the Bismarck, the Scharnhorst and the Tirpitz once lay. I tried to imagine the barrage balloons, the multitude of naval vessels, large and small, the throngs of Kreigsmarine personnel, and the air raid sirens, the anti-aircraft guns and the smell of smoke in the air as I walked along the serene waterfront.
I stopped at a café, on a wooden pier jutting out into the still waters, grabbing lunch as I gazed out across Kiel Hafen, full of not-so-distant history.
Stirring myself from the view, I crossed the road and climbed up the twisting path that led to the rise of Dusternbrook, even at just 80 feet elevation, one of the higher points on the west shore of Kiel Hafen. The path threaded through a bank of trees into a leafy avenue, lined by large villas of the style popular at the end of the nineteenth century. Presumably the leafier suburbs of Kiel had suffered less during Bomber Command’s campaign, with many of the houses surviving the war.
I needed a substantial villa for the General’s friend, affluent businessman Oskar von Friedeburg and, looking around, the well presented residences, with their view across Kiel Hafen and their seclusion, were perfect. I walked along Bismarckallee, imagining the curtains twitching at a stranger in the neighbourhood.
From there, it was short stroll down the hill to the former Kriegsmarine Headquarters, where, in the Sturmtaucher Trilogy, General Erich Kästner had his office, in his role as Liaison officer between the Abwehr, the Reich’s military intelligence organisation, and the German Navy.
It features heavily in the story; the General’s position allowed him access to a wealth of information which helped in his quest to protect his treasured Jewish employees, and he often met his close friend, and head of the Abwehr, Admiral Wilhelm Canaris, in the building that is now seat of state government for Schleswig Holstein.
There is a marina on the shoreside where there had once been jetties for the various small craft that shuttled to and from the naval HQ to ships anchored in the harbour, or to the boatyards opposite. I had a use for them in the books.
The Keilline continues for another kilometre toward the Innerhafen and Die Horn, the last part of Keil Hafen, right in the centre of the city. Reaching the end of the waterfront promenade, I looked over at the Arsenal Mole, where German naval ships replenish their munitions and supplies to this day, and to the still working Howaldtswerke shipyard next door. The other large shipyard, Krupps, has gone, replaced by a cruise ship terminal; Kiel is a popular destination for the multitude of large cruise ships which ply the Baltic sea.
Little remains of the Kiel of the 1930s on the east shore of Kiel Hafen – the shipyards, and the adjoining districts of Gaarden, Wellingdorf and Dietrichsdorf were largely destroyed by 1945.
After a pause, I continued on to the Fischhalle, the iconic fish market building which miraculously survived, and is now a maritime museum. I’d arranged to meet another historian there, a curator of the museum and an academic at Kiel university.
I was a little early, so I took a look around the museum, and, never one to miss the chance to get afloat, I spent a fascinating half hour aboard the preserved 1902 steam buoy-laying vessel, the Dampfschiff Bussard. Fascinating, and free!
Julian Freche, the historian and archivist I’d arranged to meet, was younger than I’d expected, and he gave me a valuable hour of his time, answering questions that were frustrating me in my online research, especially from a maritime perspective. His knowledge and enthusiasm to keep alive the memories of the terrible things that had happened in the city were encouraging, especially when he told me of the lengths the German educational system goes to in making sure the National Socialist’s actions would never be forgotten.
I had a couple more places I wanted to see before dark, so I bade Julian goodbye and hurried along the quayside to Kiel Banhof, the main railway station. Completely destroyed in the bombing, it was rebuilt after the war but in a not dissimilar style. I knew that the railway station would have a place in my books, in fact I’d found a photograph of the Kiel Rabbi, Dr. Akiva Posner, his wife Rachel and their three children at the train station in Kiel in 1933, being seen off by the members of his Shul, emigrating to Palestine in the face of the deteriorating situation for Jewish people and other minorities. He’d warned those Jews who elected to stay in Kiel that life under the National Socialists could only get worse; almost half of them left before the door to emigration was slammed closed.
My last visit of the day, and perhaps the most poignant, was to the the Jewish cemetery on Michelsenstraße, which was badly damaged during the bombing of Kiel, but it survived, and is still used by the Jewish community in Kiel which, remarkably, has slowly grown since the end of WW2 and now numbers are much the same as pre-1933 levels at around six hundred. The sign at the entrance said that the cemetery was closed, but the gate was open, and I slipped in through it. I hoped, by writing the story of Kiel’s Jews, I’d be forgiven for the small trespass. As I walked slowly around the older part of the small cemetery, tucked away between apartment blocks, I scanned the names, making mental notes of them; I’d use a mishmash of these in the trilogy. I let myself out, closing the gate behind me.
My route had brought me back to where I had started. As I walked along Lange Reihe and climbed the stairs to the room I’d rented, I could feel the fatigue in my legs, and my feet were sore – it had been a 16 kilometre walk, and anyone who knows me will testify that I’m not a big fan of this form of ambulation.
I’d gone some way to getting my head round Kiel as a city, but unlike Glasgow, the city of my birth, or Edinburgh, there was no hill to stand on where I could view the city as a whole, to get a better idea of its layout, and how it all fitted together. Yes, I had caught glimpses of the old Kiel, and I’d begun to have a gut feeling about how the story would fit into the city, but I wanted to see the bigger picture and, in the absence of a high vantage point, I know there was only one other way.
I had to see Kiel from the water.
~~o~~
More detailed maps can be found on the website and you can download my route on Google Maps. Part two, exploring the east shore of Kiel Hafen and the surrounding Districts of Holtenau and Hassee, will be in the next post.
To read Getrud Wronker’s biography, download the PDF copy and paste it into Google or DeepL translate.
The narrative of the Kästner and the Nussbaum families ends on the last page of The Turn of the Tide, the third and final book in the Sturmtaucher Trilogy, on the 17th August 1945, although the epilogue provides a short summary of how the members of both families fared in the years following the horrific aftermath of the Second World War.
But I didn’t expand on what happened to those other characters, good and bad, who also had a part to play in the harrowing journey the two families faced from Adolf Hitler’s rise to power in 1933 to the Nazi’s defeat in 1945. This post is about the justice served after the war was over, and about some of the characters lives, both real and imagined in the decades following the cessation of hostilities.
A series of war crimes trials took place in Germany, and elsewhere, in the years after the war. The principal Nazi party leaders who survived, and were captured, were tried at the Nuremberg trials, although the whereabouts of a number of the most heinous war criminals remained a mystery, some forever, others for years after the war ended. Muller, the Gestapo chief, Eichmann and Josef Mengele were unaccounted for – Eichmann famously was located in the late 1950s after a tip-off from a German prosecutor and was smuggled out of Argentina in 1960 to stand trial in Israel. He was sentenced to death in 1961 as one of the main architects of the Nazi’s Final Solution.
Mengele lived out the rest of his life in Argentina, then Paraguay, and finally Brazil as investigators tried to find him. He drowned in 1979 but his death remained a secret for a decade or more, and the remains weren’t confirmed as Mengele’s by DNA until 1992.
There were a number of smaller War Crimes Trials, but these dwindled out as it became more important for both the East and the West to allow both of the new Germanies to function as nations, albeit under the military occupation the victors, and most protagonists of the Holocaust, and almost all of their supporters and sympathisers, escaped Justice. In addition, for the bulk of those who were convicted, and given long sentences, early release became the norm and, apart from a few high profile prisoners, there no former Nazis in prison by 1960, the year of my birth, only 15 years after the end of the war.
Historical figures.
There were many real characters in the sturmtaucher Trilogy, and I tried to write them pretty much as history presented them, although I obviously fictionalised their interactions with the Kästners and the Nussbaums, and the other fictitious characters in the books.
Of all these real-life people I used in the books, Wilhelm Canaris was by far the most integral to the story and, if you haven’t read the trilogy, the remainder of this article most certainly contains spoilers. For those who have read the books, you will know Canaris’s fate, but it is worth mentioning how he is considered by history. He was a controversial character and his initial support of Adolf Hitler and the National Socialist Party (the NSDAP) was tempered by his gradual realisation that Adolf Hitler was both mad and extremely dangerous for Germany and for Europe, and that the war, and latterly the persecution of Europe’s Jews, should be stopped by whatever means were available to him. It is not known for sure that he was an integral part of the almost successful attempt on the Fuhrer’s life, but it was his connections with the plotters that ultimately sealed his execution three weeks before the end of the war.
In an interesting adjunct, Erica Canaris, his widow, received a widows pension for the rest of her life from Franco’s Spanish government, presumably in recognition of Canaris’s pivotal role in keeping Spain out of WW2.
Of the main Nazis who lived and worked in Kiel, Obersturmbannführer Friedrich (Fritz) Schmidt, Kiel’s Gestapo chief, and the man who built the Nordmark worker’s “education camp”, survived the war, and, under a false name, worked first as a construction worker in Munich, then as a clerk and finally manager for the regional government. His real identity was discovered in 1961 and he was given a short prison sentence for the deception, but did not serve it. He was arrested again in 1963 and convicted of complicity in the murder of four allied officers in 1944. He was released after two years, and returned to work. In 1968, he was re-arrested for his part in the murders, and served another year in prison. He died shortly afterwards.
The man he appointed Kommandant of Nordmark, Sturmbannführer Johannes Post, was tried and executed in 1948, not for his crimes at Nordmark, but for his part in the killing of the same group of Allied airmen that Schmidt was later tried for.
By the time of Post’s trial, the efforts of the war crimes tribunal in the British sectors was largely geared to prosecuting Nazis who had committed war crimes against British and Commonwealth subjects, a policy expediated by the need to have West Germany as an ally against the growing threat of expansion of communism and the Soviet Bloc.
Hinrich Lohse, the Oberpräsident of Schleswig-Holstein and the Reichskommissar for the Ostland, was the top Nazi in control of the most Northern of the German provinces and the occupied Baltic States. Despite overseeing the slaughter of almost all of the Jews, Romani Gypsies and Communists in the areas under his control, he escaped the death penalty and only served 3 years of a ten-year prison sentence due to illness. He lived as a free man for a further 13 years.
Lise Mey, a staunch Nazi supporter and the daughter of Beate Böhm, and the Kästner’s neighbour, is one of the more colourful fictional characters in the trilogy, but three of the many high ranking Nazi lovers she took were real historical figures:
The first of those, Heinrich Himmler, committed suicide in prison after being captured by the allies by biting down on a cyanide capsule when medics tried to examine his mouth, and Ernst Kaltenbrunner, another of her lovers, was captured shortly after the war in an alpine lodge high in the mountains, trying to escape southwards through Switzerland and Italy. He was the highest ranking SS officer to face trial and was executed in 1946.
SS-Gruppenführer Otto Hofmann, the third of Lise’s senior Nazi lovers, was responsible for organising testing for racial selection in the territories occupied by Nazi Germany. He was also a participant at the Wannsee Conference, where the Nazi’s Final Solution to the Jewish Question was ratified. During the war, he was transferred to Stuttgart as SS and Police Leader for South-Western Germany.
In March 1948, Hofmann was tried for his actions as chief of the Race and Settlement Main Office and was sentenced to 25 years in prison for Crimes against humanity and War Crimes but, on 7 April 1954, he was pardoned and released from Landsberg Prison. He worked as a clerk until his death in 1982.
In a fictional aside, at the end of the Trilogy, we find out that Lise has attached herself to an American Major who was besotted by her looks and her sexual allure. I’m sure Lise Mey would have made it to the states and, after divorcing the unlucky major, would have found herself a rich, older husband and a series of lovers, living to a ripe old age, pining for the glory years of National Socialist rule, and for the return of Adolf Hitler as leader, whose death she quite never believed.
Captain Wheatley, the Army lawyer who investigated the Cultybraggan murder of Feldwebel Wolfgang Rosterg, which actually took place at the POW camp in Comrie, went on to become Lord Wheatley. In the books, I wrote Axel Langefeld and Gerhard Schlesinger as part of the group found guilty of the German prisoner’s murder. In real life, five Nazi prisoners, the oldest being twenty-one, were executed at Pentonville prison in 1946 for the crime.
Doctor Kate Hermann, the physician who treated Franz’s injuries in hospital, and saw the first spark of his recovery, was real. She was a Jewish refugee who arrived in Britain in 1937 and was the first female neurology consultant in Scotland. She retired from medicine in 1970 and lived to see the re-unification of Germany, passing away in 2007, in her nineties.
Fictional Characters
After five years, and over a million words, I came to think of my fictional characters as real people, even those who only played a peripheral part in the story.
One such group were Børge Lund and his family, and his friends, who helped the Kästner brothers and the two young Nussbaums during their voyage of escape. As part of the Danish resistance, their lives would have been constantly at risk, but I like to believe that they would have survived the war.
Because of the rescue, and of the following Danish efforts to obtain the release of the Danish Jews who were the Theresienstadt concentration camp, over 99% of Denmark’s Jewish population survived the Holocaust.
As part of the organisation who rescued their country’s Jews, Børge and the others would have been among those honoured for their collective heroism by Yad Vashem in Israel as being “Righteous Among the Nations.”
Captain Andrew Stanworth and Sub lieutenant Graham Archibald, of HMS Intrepid, the Destroyer that intercepted Der Sturmtaucher as it entered British waters, were both fictional, but their stories had a ring of truth to them. Most officers commissioned in the Royal Navy during the war came through the ranks of the Royal Naval Reserve (professional seamen), or the Royal Naval Voluntary Reserve (civilians with no experience, trained first as seamen, with some going on to be officers.)
An intermediate form of reserve, between the professional RNR and the civilian RNVR, was formed in 1936. This was the Royal Naval Volunteer (Supplementary) Reserve, open to civilians with proven experience at sea. By September By 1939, there were over 2000 RNV(S)R members, mostly yachtsmen, who were recruited for active service after a 10-day training course, joining their colleagues from the RNR and the RNVR. Some went on to command vessels, mostly coastal and auxiliary, but a few advanced to command larger naval ships. Almost all were demobilised after the war.
A number of famous public figures came through WW2 with the RNVR, including two of my favourite writers: Nicholas Monsarrat, frigate commander during World War II, and author of The Cruel Sea, reached the rank of lieutenant commander. Ian Fleming, the creator of James Bond, served in Naval Intelligence during the Second World War, and reached the rank of commander. Both used their very different wartime experiences extensively during their literary careers.
I’d like to think that, after the war, Franz and Johann would have looked up the Captain and the Sub-lieutenant of HMS Intrepid to thank them for the way they they’d been treated, and because they’d spared Der Sturmtaucher from her fate as gunnery practice.
I would also have hoped that Johann would have managed to explain his actions to his friend, Lieutenant Maximilian Grabner, and that ‘Maxi’ would have come to forgive him. As for Colin McLeod, I’m sure that the injured merchant seaman and Franz Kästner, the German soldier he befriended, would have continued their acquaintance in Scotland when Franz (or Frank as Colin knew him) returned to Oban to live with Ruth and his new family.
The Weissbergs, who accepted Ruth and Manny as part of their family during their internment on the Isle of Man, and in Finchley after their release, would have stayed in touch with the young Nussbaums, and I can imagine Aaron, Gella and their children would have spent many holidays on the West Coast of Scotland with Ruth and Franz.
With Heinrich Güllich, dead, Carl Meyer, his fellow Gestapo officer, was the most evil survivor of the war, and although in prison, he would have likely have been released during the decade following the end of the war. I suspect he would have finally made the journey across the border to East Germany, and may have found a use for his particular talents in the Eastern Bloc country’s dreaded security services, as a Stasi officer. Like many former Gestapo or SS members, punishment was often a secondary consideration to the need for experienced security personnel, on both sides of the Iron Curtain.
Finally, Gus, the elephant seal, watched by Erich Kästner and his daughter Antje at Hanover zoo in 1942 as their world collapsed around them, was a real character. Those of the Zoo’s animals that weren’t killed by the intense bombing of Hannover were evacuated to safety but, sadly, few survived the war, often becoming food for the starving hordes during the destruction of Germany in 1944-45.
During my research for The Sturmtaucher Trilogy, I came across a remarkable photograph while searching for information on the Jewish residents of Kiel prior to the Second World War, and on what happened to them during the Holocaust.
The article I found it in was titled A Jewish menorah defies the Nazi swastika.
In Rabbi Avi Posner’s home in GartenStraße in central Kiel, his wife, Rachel, was lighting the candles on the Menorah in the window of her home for Chanukah, the festival of lights. Across the street, in the local offices of the National Socialist Party, the Nazis were just beginning to flex their muscles, although holding power was still a few years away for Adolf Hitler’s party.
Rachel, a photographer by profession, saw a dramatic dichotomy in her view from the window and rushed to fetch her camera. When she developed the photograph, she wrote a caption on the reverse:
Chanukah, 5692
(1932).
‘Judea dies’, thus says the banner.
‘Judea will live forever’, thus respond the lights.
I knew instantly that the photograph, and the story behind it, had to be in the trilogy but I realised that the timing wasn’t right – my story didn’t start until January 1933 and the photograph was reported to have been taken during Chanukah, 1932, in December.
In fact, after further research further, the Jewish year of 5692 was 1931. The Julyan Calendar year written on the back of the photograph, 1932, probably referred to when the photograph was developed.
I did use it in the book – The rabbi shows the picture to Yosef and Jacob, two of the main characters in the book, and tells them his wife took it a few years previously. The Rabbi in my story is not Avi Posner, but he is strongly based on Rabbi Posner’s life in Kiel.
Rabbi Posner was vociferous in his warnings to the Jewish community that something terrible was happening in Germany and, late in 1933, he left the land of his birth with his wife and family, arriving in Palestine in 1934. His warnings were heeded by large numbers of Kiel’s Jews, who followed him to Palestine or travelled westwards to the the United states before the door to escape was closed at the outbreak of war.
Of those Jews who remained in Kiel, almost all were deported, and perished in the ghettos to the east, and in the death camps associated with them.
I tried to contact Avi Posner’s grandson in Israel to tell him I’d recounted the story of his grandmother’s photograph in The Gathering Storm, but the letter was returned ‘Not at this Address’.
The Sturmtaucher Trilogy is now in the Yad Vashem Library in Jerusalem, and I hope that one day, Rachel Posner’s descendants might read it, and understand why I included their forebears’ story in my fictional one.
This is the first ever Girvan Christmas Market and Girvan Arts Festival has a nice wee competition to celebrate Girvan, and some of our local authors. I'm proud to be one of them. Repost the original post to enter.
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